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The Production Designer’s Most Difficult Challenge on Game of Thrones’ Fifth Season Was…

For 10 days of filming during Games of Thrones’ fifth season, the producers allowed an embedded Entertainment Weekly reporter to travel with them and chronicle the extreme ambition on display while also fishing for potential plot spoilers.  In those 10 days, James Hibberd visited the three different European countries which are used to depict Westeros in the show.  First up was Croatia where they film all the King’s Landing stuff.  Next up was Spain, a new addition to the show in response to the need to incorporate Dorne-set storylines into the fifth season.  Last was Ireland, which stands in for Meereen, Castle Black and various other locations.  With such a mammoth production, it’s amazing that showrunners David Benioff and D. B. Weiss keep it all straight.  In fact, they’ve repeatedly said that critics of the show who demand longer seasons don’t understand how nearly impossible it is that they manage to produce 10 episodes every year, although anyone who’s read Hibberd’s EW cover story or seen the half-hour making of special which aired on HBO prior to the fifth season wouldn’t doubt them.

Of course, Benioff and Weiss have to delegate, delegate, delegate, and the epic fantasy series inherently demands much from the production designers who are ultimately responsible for the small army tasked with set construction and decoration.  In a recent THR story, Game of Thrones production designer Deborah Riley revealed the biggest challenge she facedon on season five.  [Spoiler Warning for anyone not caught up with the show] Was it finding the right historic Colliseum for Daenerys’ epic dragon-assisted escape from an assassination attempt?  Or getting just the right remote village for Jon Snow’s jaw-dropping stand-off with The White Walker’s in “Hardhome”? Or clearing an entire section of the Croatian town for Cersei to perform her long walk of shame in the season finale?

Nope.  According to Riley, the most difficult challenge was finding a base for Braavos, the city which we had only previously glimpsed in the fourth season but served as new home to Maisie Williams’ Arya Stark in the fifth season.

Wait, which one is Braavos again?

553468a821478db3485e2d1a_GOT_502_Cut_H_021015_VAM.090352[1]Oh, right.  The place with the badass Lord of the Rings rip-off statue standing guard.  What did it look like in the part Arya was at?

b5
Filming on the set
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Getting the set ready

Arya-in-Braavos1468px-Arya_in_braavosextras2From THR:

“It had to feel unlike anywhere we had ever seen before and be made up of canals and islands that are connected by bridges,” says Riley. “It also had to be found right next to where we shoot our other locations. This meant that it had to be in Croatia and near Dubrovnik, where we shoot King’s Landing, or Split, where we established Meereen. It also had to not have too many modern elements as we needed to keep as many scenes as ‘in camera’ as possible, with minimum intervention from the art department.”

Riley says her team “struck gold” when they found a tiny fishing village far from the usual tourist haunts. “The scene opens in a Braavosi canal, and we were able to create a thriving village in Kastilac, just outside of Split. It was built in 1545 by Benedictine nuns and is 40 meters away from shore with a long stone bridge,” she says. “It was tiny but charming, and we shot every brick and surrounding waterway to our advantage. When Michele Clapton’s beautifully idiosyncratic costumes walked onto set, we were transported to another place.”

Source: THR

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2 comments

    1. There are some shows where I’ll watch them and occasionally ponder practical considerations, such as how hard the production team works to make sure we don’t notice how many of the Canadian sets are simply re-dressed and re-used to stand in as multiple different locations on Arrow and The Flash. With Game of Thrones, I rarely ever give into that because I’m usually so sucked into the story. So, I thought it was especially interesting to hear about the unique set of requirements the team had to satisfy in its search for Bravos locations, i.e., it not only had to look right but also had to be nearby their other Croation sets to cut down on transportation costs. And they did a great job, even though, looking back on it, the season spent way more time in that religiious temple/chamber Arya lives at now than in any Bravos exteriors.

      And, ahhh, I dunno, I kind of liked Maisie Williams’ hairstyle as the shellfish monger.

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