TV Reviews

Peak TV Catch Up: The Magicians Truly Is Unlike Any Other Show on TV

I don’t know how to write about SyFy’s The Magicians.

To be more specific, I don’t know how to write about The Magicians because I don’t know where the rest of you are with the show. The second season just concluded last night, and a third will arrive sometime in 2018. However, up until this past January, I hadn’t seen a single episode. Then I binged the first season on Netflix just in time for the start of the second season on SyFy. I quickly fell in love with this bizarre, often confounding, but fantastically unique slice of fantasy genre storytelling, and I desperately want to talk about everything which went down in the finale. However, in the age of Peak TV our mileage always seems to vary.

So, I’m going to take a page from TVLine and offer up the following profile for those unfamiliar with The Magicians or perhaps familiar but still in need of a push to give it a chance:

CREATED BY Sera Gamble (Supernatural) and John McNamara (Aquarius)

SOURCE MATERIAL Lev Grossman’s fantasy novel series of the same name. There are three total books in his Magicians series, but the show treats the novels as rough story outlines which can be filled in however they want and deviated from whenever a better idea emerges.

NUMBER OF EPISODES 26 over the first two seasons.

EPISODE LENGTH | 1 hour with commercials, 41 minutes without

PREMISE | Harry Potter with sex, or Harry Potter for adults and featuring post-grad students instead of grade/high schoolers.

SERIOUSLY, THAT’S THE PREMISE? | That’s just how everyone always describes it, mostly because that’s how SyFy promoted it in the early days:

Sure, The Magicians is guilty of sometimes going out of its way to ensure there is one crazy, magically enhanced sex scene per episode. But this isn’t necessarily a bad thing, particularly since, as io9 put it, The Magicians’ overall treatment of sex has marked it as “one of the most forward-thinking shows on television right now, because it’s exploring a great many aspects of consenting adult relationships in a remarkably honest—and mature—way. There’s no judgment on The Magicians, no Chandler-from-Friends-style gay panic. Everything is permitted. Just about any sexual pairing on the show is possible and plausible.”

But that’s not all there is to the show. This isn’t just Skins: The Magic Years.

WHAT IS THE SHOW REALLY ABOUT? | It is a glimpse at what happens when a central character who is the avatar for every fanboy longing to live out his fantasy slowly realizes that his long-adored fantasy world sucks just as hard as the real world (spoiler: you should never meet your heroes).

In the pilot, this character, Quentin (Jason Ralph), is introduced as a soon-to-be grad student completing treatment for depression in a mental health facility, which he entered due to “feeling like the most useless person in the history of the world.” He tells his counselor he now realizes it is time to grow up, sell the comic book collection, let go of childhood fantasies about what the world could be and embrace what the world is. This is a view echoed by his lifelong friend Julia (Stella Maeve), who has been about as patient as a friend could be while waiting for Quentin to get his shit together. Of course, Quentin is in love with her, and, of course, she already has a boyfriend and doesn’t view Quentin that way.

You think you know where that is going, but you will be stunned by how quickly Quentin and Julia turn into enemies or, at best, frenemies. See, in the world of The Magicians Quentin and Julia grew up reading The-Lion-the-Witch-and-the-Wardrobe-meets-Lord-of-the-Rings fantasy novels called Fillory and Further. The problem is while Quentin never grew out of obsessing over those books Julia moved on to law school and wants Quentin to follow her there. Around the time she tries some tough love to get him to start thinking about his future more seriously they are both magically transported to an admissions interview for something called Brakebills University.

Turns out those Fillory and Further novels were based on fact. Magic is real. There is a secret Hogwarts school for those with natural magical abilities. Julia was wrong. Quentin was right. Oh, she’ll never hear the end of this from him..

Naturally, Quentin is admitted to the school, but Julia flunks her interview and is thrown back into the real world, with the effort to magically erase her memory of the encounter proving only partially successful. Thus begins the bifurcation of The Magicians between Quentin’s often whimsical adventures with the friends (two funny upperclassmen, an eventual Hermione-like girlfriend, and two fuck-ups who barely tolerate him) he ends up making at Brakebills and Julia’s long, dark night of the soul as she makes her way through the underground of the magic world, wanting so desperately to experience what Brakebills denied her for largely obtuse reasons.

Through both seasons, these two halves of the show frequently meet in surprising, often immensely gratifying, but sometimes frustrating ways. Simply put, Julia is the more compelling character than Quentin, but can also grate because the show so consistently drags her down to her lowest possible point that Stella Maeve is forced to wear a near-constant devastated facial expression (which, to be fair, she totally pulls off). Still, the emotional trauma she suffers so immensely towers over everything the Brakebills kids encounter that the ongoing hostilities between the two camps forces you to sometimes root against the heroes.

However, while Quentin and Julia are ostensibly the dual protagonists it is often the co-stars who steal the show, particularly Eliot and Margo as the king and queen of perfectly delivered one-liners and Penny as the hilariously grumpy one of the group.

DO I HAVE TO WATCH IT ALL? | You kind of do. This is not a show where you can simply skip episodes to get to the good stuff, but if you find yourself beaten down by the early episodes of the first season just know that it gets so, so much better.


The first season is primarily about learning the full truth of the Fillory and Further novels and building up to Quentin’s prophesized battle with his own Voldemort, a mysterious wizard called The Beast whose identity you’ll figure out earlier than you’re supposed to. Along the way, there is a fair deal of Brakebills-as-post-grad-Hogwarts (they even have their own version of Quidditch), and the imbalance between the Quentin and Julia halves of the show can be jarring. It all comes together in a brilliant season finale narrated by Quentin and closes on some killer cliffhangers.

The second season takes a hard turn into pure fantasy, leaving any semblance of these people being students at a school almost completely behind (as meta-joked by a character near the end of the season), but is arguably a more confident (e.g., there’s a full-on rendition of “One Day More” from Les Mis just because they knew they could pull it off) and undeniably funnier show as a result. This is the less grounded-in-reality season, yet it’s also the one in which the characters are forced to grow up, particularly Margo and Eliot.

The season’s various story threads don’t quite come together as brilliantly as they did in the first season, but you get better versions of just about everything else. It definitely ticks off far more “well, I haven’t seen that before” boxes, such as when Quentin and Julia riddle a dragon in a darkened city alleyway and are rendered unconscious as the dragon laments “Fucking millennials.”

WORTH YOUR TIME IF YOU ENJOY… | Angel’s Pylea three-parter, Inventive fantasy scenarios, subverted hero’s journey narratives (seriously, Quentin is the worst hero ever, and the show derives consistent humor from pointing that out and subverting it), heavily serialized fantasy mysteries, stories about found families, a liberal dose of silliness and immature humor, and, obviously Game of Thrones and Harry Potter

YOU SHOULD PROBABLY KNOW… | The Magicians metaphorical treatment of real-life trauma sometimes results in controversial story decisions, which some might regard as brave, others as offensive and yet others as poorly thought-out. For example, the second season temporarily features two villains who are actually both victims of sexual abuse and are thus motivated by sublimated trauma, leading you to question where exactly our sympathies are meant to lie. Surely, they’re not actually asking us to root against these people. Are they?

YOU SHOULD PROBABLY ALSO KNOW… | Magicians characters curse, not as much as those in a Quentin Tarantino movie, but more so than your average cable show. SyFy bleeps out the various f-bombs; Netflix does not.

IS IT COMING BACK? | Yes. SyFy recently renewed it for a third season, promising after last night’s finale: “Magic Will Return in 2018”

WHERE CAN I WATCH IT? | The first season is on Netflix, and the second season is currently available to stream in its entirety through SyFy Now for cable subscribers.  Plus, you can purchase individual episodes at all of the usual places.


  1. I think this assessment is spot on. I watched the first season and was mildly disappointed, but intrigued. Its pretty heavy for a Fantasy show. The second season has gotten away from me, so I’ll be binging it later.

    Its not that I don’t like the show, but I want to like it and I like the characters. I just don’t have the mental capacity to keep up with it, considering my current busy schedule, so it got dropped from my must-watchlist.

    I am looking forward to the third season because I’m in the middle of reading the third book, and things are very, very interesting in the third book, which feels like a cross between a detective novel, and a heist novel, but with magic.

    I hope the show follows that formula, too.

    1. I haven’t read the books, but what I can gather most of what happens with Julia in the first season is from the second book, and much of what happens with Quentin, Margo, Eliot and Alice in the second season is very loosely taken from the third book.

      “The second season has gotten away from me, so I’ll be binging it later.”

      It is on SyFy Now for now, but if you wait to binge it on Netflix hopefully they’ll again refrain from censoring any of the dialogue. It was seriously annoying having so many lines bleeped this season, especially since I’d come from seeing the first season on Netflix where that wasn’t an issue.

      I can see finding the first season mildly disappointing because it really does have a lot of flaws. I guessed who The Beast was way before the characters did. The random threeway involving Quentin at the end came out of nowhere and just threw a kink into the Alice relationship for no reason. I sometimes actively hated Quentin, particularly early on when he was a total d-bag to Julia for, again, no good reason. However, there was always something else happening or a really cool plot twist or just something monumentally silly but entertaining which kept me happy with the season.

      I have fewer bad things to say about the second season, other than it all not quite coming together as well as it did in the first season.

      “a heist novel, but with magic.”

      Not to spoil anything, but there is a straight-up heist episode in the second season where they use magic to break into a bank. It’s as awesome as it sounds.

  2. Okay, now I know I was missing something good this season! What you wrote is pretty much the same stuff that kept me interested in the first season.

    I read the second book, very, very, slowly. Like that first season, there was just enough stuff going on to keep me intrigued, but I don’t like High Fantasy books, and I had a really hard time finishing it. I thought this season was paralleling what was happening in that book, with all of them finding and becoming the kings and queens of Fillory, and having to do stuff to save it. So I guess its really not following the books as closely as I thought.

    1. It’s more like it’s compressing the books. “I thought this season was paralleling what was happening in that book, with all of them finding and becoming the kings and queens of Fillory, and having to do stuff to save it.” I just Wikiread the second and third books, and a lot of what happens in the second one is definitely in the second season but there’s also a lot of the third book in there as well. This is definitely their high fantasy season, but it’s not exactly the same as the books since they don’t have the budget to do everything. So, there is quite a bit with Margo and Eliot debating how best to rule Fillory, with Margo proving herself rather ruthless and Eliot surprisingly compassionate. In translation, this means lot of funny scenes of them in a castle. Plus, the producers seem to be going a bit off book. For example, the second season introduces fairies as a potential big bad for next year, and I didn’t see them anywhere in the Wiki plot summaries of the books.

  3. Yeah, I don’t remember reading about any fairies in the second book actually, but Its been a minute since I read it, and I wasn’t paying that close attention, as I was trying to get the book over with.

    I did like the beginning of this season though. I find more entertainment in the humorous aspects of the plot, and I like the way they built up the Dean’s character because he’s barely mentioned in the books, and I guess the writers must have seen he was a fan fave. I was not a fan of Julia’s part of the plot as it was too dark for my tastes. When I reviewed it, I said it made the show feel uneven. Has that changed? Have they started to integrate the two different plot moods a little better?

    1. They’re kind of doing a Game of Thrones thing with the Fairies. So, I’m not surprised to hear that it’s probably entirely unique to the show.

      The Dean is less present in the second season than he is in the first simply because the tether to Brakebills is less important, but he’s still a consistent source of deadpan humor. There is a quality meta joke halfway through the season about how little help he normally is during their various crises.

      The show still does suffer from what you might call mood swings, the darkness in Julia’s half of the show, lightness in Fillory. However, the second season works harder to better integrate the moods, and is not quite as oppressive with Julia’s part of the storyline. I mean, I was remarkably hooked by Julia’s half of the show at first, and particularly loved the episode where they put her into a metaphorical euthanasia scenario to teach her about the actual positive potential of magic. But, damn, shit got super real at the end, and since I binged the show I really did grow weary of seeing Stella Maeve have that same facial expression over and over again. Part of the reason I loved the season finale is because you got to see Julia and Quentin experience Fillory for the first time and be reduced back to kids again with such a pure love of fantasy and magic.

      Julia’s arc in the second season is still dark, but not to the point that it feels like they consistently went out of their way to debase her. She actually gets a fairly significant mood change in the second half of the season. Moreover, Quentin’s arc turns fairly serious as well, which at least contributes to a more consistent tone throughout the episodes. It’s then up to the Fillory parts to lighten the mood, and they almost always do, not always smoothly but probably a bit smoother than the first season.

      1. Okay that’s good to hear. This sounds promising because I really want to like the show. Maybe I can stream the episodes on an app or something before Netflix gets it.

      2. If you have cable (or Playstation Vue or DirectTV Now) you should be able to stream it through an authenticated SyFy Now app. As of this writing, all of the season 2 episodes are on there.

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