Around these parts, we are kind of high on Star Trek: Enterprise at the moment.  After writing about my picks for the top 10 Enterprise episodes, I have been binge re-watching the show. Meanwhile, fellow WeMinoredInFilm writer Julianne is currently at DragonCon in Atlanta, Georgia where she informs me she met Dominic Keating, Malcolm from Enterprise. He even remembered her name when he saw her again the next day. The next day!

So, it is of special interest to us that according to multiple websites (PopMatters, AICN, io9) the newly released blu-ray season sets for Enterprise reveal some fascinating behind the scenes details about the differences between what the show’s creators wanted to do and what the studio made them do.

Let’s set the table first.

Enterprise, of course, is the Star Trek prequel series which aired for 4 seasons on the now-defunct UPN from 2001-2005. It is often mocked or merely thought poorly of by fans due to its overly convoluted, over-arching time travel plot (i.e., the temporal cold war), horrendous theme song (a re-purposed, re-recorded version of the Dianne Warren-penned, Rod Stewart-sung “Faith of the Heart” from Patch Adams), overly obvious objectification of voluptuous cast member Jolene Blalock, and lack of dynamic central characters. However, we are definite Enterprise-defenders, especially of the third and fourth seasons. After all, that schmaltzy theme song is easily skippable via the fast-forward button.

The second season blu-ray set features a 78-minute roundtable discussion with series co-creator Brannon Braga and all 7 series regulars. Plus, there are three additional features, each of them a half-hour in length, in which the writers and stars discuss the second season as well as the show in general. Surprise, surprise, they mostly blame the network (UPN) and studio (Paramount) for everything that went wrong.

Plus, it’s made fairly obvious that their experience together on Enterprise fractured the working relationship between show co-creators and long-time Star Trek producers Brannon Braga and Rick Berman.  It should be noted that no one from UPN and Paramount is present in any of the features to defend themselves, and Berman is only present in two of the half-hour specials meaning he’s also not always around to defend himself either. But as mostly one-sided stories go there are some interesting revelations here, among the most intriguing being:

Star Trek Voyager crew

It’s not you, Voyager, it’s us; we needed to go on “a break” after being with you for 7 years.

  • Berman originally wanted to keep Star Trek off the air after Voyager for a couple of years before starting a new show. Paramount disagreed and would move on without him if he didn’t step in line. The argument for Star Trek being better served at the time by taking a break from television for a couple of years is a seemingly common one among fans now. Scott Bakula supports the argument during the roundtable discussion.

Would you have been cool with an entire season like the season 2 episode “First Flight”?

  • Remember the season 2 episode “First Flight” in which we see the background of how Captain Archer came to be the captain of the Enterprise?  In the initial pitch, that’s what Berman and Braga wanted to occupy the entire storyline of an Earth-bound first season focused on watching our future captain and crew members build toward making the scientific advances necessary for the Enterprise to even exist while the Vulcans fought to limit their progress.
  • Berman and Braga fired most of the entire writing staff after the first season.
  • The writers wanted to expand the show’s horizons and not just do standard Star Trek stories. They were itching to kill characters off to heighten dramatic stakes and do serialized stories. However, the studio vehemently disagreed. They wanted Enterprise to basically be more of the same, and actually operate under a studio mandate that all episodes reach a narrative conclusion that could allow the next week’s episode to be viewed with no difficulty if having missed the prior episode.

Scott Bakula says fans still ask him what the heck was going on with that temporal cold war storyline.

  • With that in mind, rather bizarrely the most serialized element of the first two seasons, the temporal cold war storyline, was actually a studio mandate. Why?  It was a way of both doing a straight-ahead prequel and not a prequel. Simply building toward the creation of the Federation and establishing how the bridge from Archer to Kirk was built made studio executives nervous. The cold war storyline was a way of presenting a considerable risk that everything that had happened in the prior Star Trek shows could potentially be undone by an over-arching, time-altering storyline. However, all involved parties on the creative side seem to agree that the storyline got away from them.
  • UPN experienced heavy turnover in its executive ranks in-between Enterprise‘s first and second seasons, and the new bosses had some incredibly bizarre requests. The most headline-grabbing request is that one such executive suggested the Enterprise welcome a new boy band aboard every week, and that boy band would perform a song.

Random boy band example: 98 Degrees. So, would they have been themselves, or made up in some alien make-up? How would this have even worked?

  • According to Braga, Jonathan Dolgen, the CEO of Viacom, i.e., Paramount/UPN’s corporate overlord, loosened the storyline restrictions on the show, allowed them “to shake things up” in-between seasons 2 and 3. This was done presumably because Dolgen was a huge Star Trek fan unhappy with Enterprise not as a business venture but as a fan of the intellectual property.   So, the incredibly sudden transition from episodic to fiercely serialized storytelling from the first two seasons to the final two seasons of Enterprise should make a whole lot more sense now.
  • The basic Xindi storyline started in the season 2 finale “The Expanse” was conceived of by Berman and Braga on their own without the assistance of the show’s writers.

Ira Steven Behr.

  • Deep Space Nine head writer/producer and just general badass Ira Steven Behr was invited to the production offices as a way of secretly offering him a senior level position on the show. Instead, Behr proceeded to verbally shit on the show in a way Braga had never heard nor experienced. Sounds like a mic drop moment before anyone knew to call it that.

We could have had Shran calling Archer “pink-skin” on a weekly basis if a fifth season had happened.

  • Jeffrey Comb’s Andorian Commander Shran was going to be made a series regular in the fifth season.
  • Fan dissatisfaction was such that people began hate-watching the show (a phenomenon the writers/actors would have been fine seeing more of because it would have meant higher ratings), and one fan even sent a cardboard box full of trash to the production office with a note which rather simply explained how this (trash) is what they had turned Star Trek into.

You can read about even more revelations, such as which episodes Braga, Bakula, and others liked the most and which ones they’d rather forget over at AintItCoolNews.

It is impressive that previously fan convention-specific revelations such as those listed above have made their way to an officially released Blu-Ray. Paramount is clearly cool with airing its dirty laundry, and Braga is refreshingly willing to burn bridges, mostly because screw UPN since they went out of business a long time ago. In one of the features, he even voices his hope that Enterprise could some day return.

I have to admit, though, that as good as that season 2 episode “The First Flight” is the concept of an entire Earth-bound season of Star Trek is not something I would have particularly cared to see.  While Star Trek definitely needed something different after Voyager an Earth-bound season might have been too big of a departure.  I can see why the studio execs shot the idea down, and frankly I’m glad they did, much as co-creator Braga now disagrees.  It could have been a great show, but would it have still been Star Trek?

It somewhat reminds me of the stretch from the Jon Pertwee era of classic Doctor Who in which the Doctor was isolated on Earth and unable to use his Tardis, mostly for real-world budgetary reasons as well as to challenge the writers.  However, is Doctor Who still Doctor Who without the madman traveling through time and space in a blue box?  Is Star Trek still Star Trek without characters who are actually traveling through space or at least simply up there in space (ala Deep Space Nine)?

What do you think?  Would you have liked to have seen an Earth-bound season?  If so, why?  Any other revelations catch your fancy?  Let us know in the comments section.

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Posted by Kelly Konda

Grew up obsessing over movies and TV shows. Worked in a video store. Minored in film at college because my college didn't offer a film major. Worked in academia for a while. Have been freelance writing and running this blog since 2013.

2 Comments

  1. I actually loved most of the series. The points that bent me out of shape were when things just got too unbelievable. Fine, it’s sci fi, but temporal cold wars, xindi’s with 5 species from the same planet (where were the plant people?),… The episodes that I liked were the ones relating to a more rational development of earth first getting into space and the likely developments from that. A cruder looking and less capable ship-fine. The difficulties of the crew trying to learn to interact with aliens-you bet. Technologies commonplace on future series just now coming into their infancy-makes perfect sense. Good looking and as solid a performer as she is I really could have done without Jolene Blalock needing nonstop decon rubdowns but every show needs it’s babe. They just could have toned it down a little. I really liked the frustrations of Vulcans trying to deal with humans, and visa versa. The episodes relating back to first contact and the development of warp travel I thought were spot on. Just enough prehistory to fill in some holes without boring us with mundane info. I thought the cast was solid and relatable and I would have loved to see it continue.

    Reply

    1. The first episode that actually won me over to Enterprise’s possibilities as a prequel was the third episode in which they go on their first away mission and follow none of the protocols we’re used to since it’s because of their ignorance in such situations that the later protocols were created.

      I have to admit, though, that there were times when I missed the narrative shortcuts afforded the pre-existing Star Trek shows by being able to do far more with technology. It was a while before I adjusted to what for them qualified as the highest warp speed they could achieve.

      I agree about Jolene Blalock. I actually initially rejected the show after its pilot, only giving it a second chance via Netflix over the past year. I had the impression in the interim that Blalock was just a Seven-of-Nine clone who showed way more skin, and I was delighted to discover that she was usually pretty solid as T’Pol. In fact, over time I found the most compelling stuff to come from her, Trip, and Archer. However, sort of like the endless parade of shirtless males on the CW’s Arrow and Vampire Diaries the near-naked Blalock scenes were common enough that you could easily grow accustomed to it. Except there it’s just shirtless guys whereas on Enterprise we’re talking about Blalock in skimpy underwear getting rubbed down by co-stars. It was a bit much, but probably not nearly as exploitative and pandering as it could have been with more intrusive camera angles and what-not.

      From what I understand, a lot of Trek fans didn’t like seeing the Vulcans being used as the bad guys as it placed them in an incredibly unfamiliar light. However, I’m with you – I really liked the tension between Starfleet and the Vulcans.

      Reply

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